It’s psychologically draining but also functions as a tick-of-the-clock thriller, as Demme effortlessly shifts gears from psychological mind-games to crime thriller, sometimes in the same scene. That core struggle at the center of ‘Lambs’ separates it from a typical police procedural. Unlike Will Graham before her, Starling does not have the immediate empathy of a killer, so Lecter’s tests are not just for her to figure out how to capture Bill, but to confront her own mortality as well. Not so much to Hannibal Lecter ( Anthony Hopkins), who appears throughout like a psychopathic Greek chorus, providing advice on the mind of a killer to FBI trainee Clarice Starling ( Jodie Foster) to help capture Bill. That procedural method applies to “Buffalo Bill” ( Ted Levine), a murderer killing plus-size women to wear their skin. In Jonathan Demme’s “ The Silence of the Lambs,” there’s two killers for the price of one. Procedurals involving a serial killer traditionally keep the killer in the shadows, sporadically showing them until a full-on reveal in the third act.
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